Get Access To Every Broadway Story Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Washington National Opera (WNO) opens its ...

For the first time in more than a decade, Verdi’s romantic and political drama Aida returns to Lyric Opera of Chicago, March 9 to April 7, 2024. See photos from the production below. Music Director ...

Reginald Smith Jr., fresh from playing (older) Emile in Terence Blanchard’s opera “Champion,” is having a formidable 2024 on the Lyric Opera stage. In the role of Amonasro, King of Ethiopia, the ...

A little minuet in Mozart’s The Marriage of Figaro, a hip-swinging processional in Verdi’s Aida, a ballroom waltz in Tchaikovsky’s Eugene Onegin — until fairly recently, that, generally speaking, was ...

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Performances in N.Y.C. Advertisement Supported by But opening night of the huge production’s final run, shakily cast, presented a show that seemed to be begging to retire. By Zachary Woolfe “I’m not ...

With its teeming crowd scenes and massive set pieces, it’s easy to forget that “Aida” is about four individuals struggling to meet the demands of duty and desire. The new San Francisco Opera ...

“Aida” may well be the grandest of the grand operas, but it needs inspired staging and exceptional voices in order to make Verdi’s masterpiece shine. Seattle Opera’s current “Aida” does just that.

That approach was also used for their Turandot two years ago, and now method and team are reunited as Sir Richard Armstrong conducts Aida with Annabel Arden as director and design by Joanna Parker.