Performances in N.Y.C. Advertisement Supported by critic’s notebook Our chief classical critic took on the daunting Opus 110 in college, and now relishes risky recordings. By Anthony Tommasini For my ...
In the hands of Artas Balakauskas, Beethoven's Piano Sonata No.30, Opus 109 was a breeze. By comparison, the composer's last sonata, Opus 111, was epic, while Opus 110 was a song. The recital, ...